Many may
know art dealers active during the end of the 19th and the beginning
of the 20th centuries like Durand-Ruel, Vollard, Rosenberg,
Wildenstein, Kahnweiler… Less known is probably Berthe Weill, however… she was
the first to sell works by Picasso, Matisse… the only one who organised a solo
exhibition by Modigliani during his lifetime… but she never made a fortune
despite some almost 40 years of activity.
I recently bought
a book by a young lady, Marianne Le Morvan, about the fascinating Berthe Weill…
and I got even more curious and thought that I must include something about her
in my blog. I have used a lot of information from Marianne Le Morvan’s book,
but also from her blog … and from elsewhere.
Berthe
Weill (1865-1951) started to work and get practice in an antique shop, She
opened a modest shop with her brother in 1897 – she was 32 – but her real
interest had become “art”. In 1900 she came in contact with the young Picasso, newly arrived in Paris, who had one of his Barcelona paintings (this one?)
exhibited at the “Exposition Universelle”. She sold first three corrida sketches
and then the famous Picasso version of “Le Moulin de la Galette”, painted in
1900 (now at Guggenheim NY).
By the end
of 1901, Berthe opened, on her own, “Galerie B. Weill”. During 1902, she exhibited
Picasso’s works twice. Here we see the ad for the second exhibition, made
together with three other painters, including Ramon Pichot, who was Picasso’s close (Spanish) friend. This was the beginning of Picasso’s blue period.
As a parenthesis:
Picasso’s blue period may have commenced with the portrait of another of his close
friends, Casagemas, who committed suicide because of unreciprocated love for Germaine, who later married Ramon Pichot. The couple obviously settled down and
worked at “La Maison Rose”, often painted, e.g. by Utrillo. Picasso portrayed both
Germaine and Ramon and when Ramon died – too early - Picasso often helped Germaine
economically.
Picasso was
not the only one who got a start thanks to Berthe - she was also the first to sell Matisse. Here is a list of some of
the well-known artists who she exhibited and promoted. We can see that many
were young – and unknown – when they were first exhibited. Some of them left her
for other art dealers, when they started to have a market value. However, others
were “faithful” even then and, especially, as Berthe never managed to make a good
living from her profession, came - by friendship - back to her with part of their
production later, during the 1920’s and 30’s.
It is also remarkable that Berthe was the only one to offer a solo exhibition to Modigliani
during his lifetime, in 1917. However, it met some difficulties – police intervened
due to the nudity.
Berthe was
also doing a lot for female artists. Here we can see some of them. Especially
Emilie Charmy became a good personal friend. Hermine David got married later to
the painter Jules Pascin and Valentine Pratz to Zadkine.
This is what
Berthe looked like, portrayed by a number of artists and especially (the large
one) in 1920 by Picasso.
She published
her memoires to celebrate 30 years of activity. “Pan… dans l’oeil” was
illustrated by Picasso, Dufy and Pascin.
Here are
some photos of the addresses where she had her galleries. The first one, where
she remained until 1917 was at 25 rue Victor Massé. A plaque is there now.
The second
one was at 50 rue Taitbout, which she left in 1920.
The next
one, until 1927, was at 46 rue Lafitte.
Finally,
she moved to 27 rue Saint-Dominique, where she was expelled for unpaid rents in
1939. There is a plaque, but only to indicate that Chateaubriand has lived
there. She obviously lived here in a flat under very modest circumstances
during the WWII years and managed somehow not to be deported despite her Jewish origins and thanks
to her own bravery.
In 1946, some
80 paintings and sculptures, offered by her artist friends were auctioned. This
helped her to survive fairly well in a home for elderly people until her death
in 1951, almost blind. She was in 1948 offered the “Légion d’Honneur”.
6 comments:
Bonjour cher Peter,
J'aime te lire et admirer les photos merveilleuses qui accompagnent ton article.
Berthe Weil était une sacrée femme, surtout à l'époque. Se faire une place dans ce monde n'était certainement pas aisé.
Ton billet est un très bel hommage.
❀ ♡ Gros bisous ♡ ❀
Je suis d'accord avec ce que dit Martinealison.
Quel beau travail de recherches, Peter !
En temps que femme je ne suis pas très attirée par les nus de Modi, mais j'aime assez son style.
Merci pour cet excellent exposé et sa documentation.
I love the new things you always introduce me to, especially when they are related to art. This woman's dedication to promoting the wonderful work of artists and new artists is inspiring. (And as a fan of Modigliani, happy that she did what she could during her time.
The first time I heard of Marie Laurencin was when I watched that fantastic movie, Bon Voyage.
Viviane's (Isabelle Adjani) beautiful apartment was decorated with this huge paintings of Marie Laurencin. The beauty of her work caught my eye...there was so much lyricism...
There's also a school or an institute that has her name? My beau-frere Jean Jacques worked there...
It is impressive the number of such superb artist that lived and worked in Paris...and to think that I never heard of them before.
I'm writing on my iPad and almost hanging upside down...not proficient at all at handling it...I miss my laptop...so I better stop.
Mil gracias for such a fantastic post! I always learn so much from your blog!
Maria
Another very interesting and informative post. Merci.
Most excellent, delightful post, Peter, especially the highlights about the female artists she promoted--some I am familiar with, some not. Love the paintings of Emilie Charmy. Will be looking for more information on all of these ladies.
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