In 1931 there
was a “Paris Colonial Exhibition”. It lasted for six months and took place in
the Bois-de-Vincennes (see previous posts, e.g. here, here, here and here).
France was then the second biggest colonial empire, after the British one.
Some territories, like Algeria, were already considered as French departments,
but most of them were still real colonies, basically to be found in northern, central
and western Africa, south-east Asia, the Middle East, the Caribbean… One looked
of course differently on the colonial issues in 1931 than what we do today, but by this exhibition France somehow wanted to show it all in a positive way already. France obviously wanted to demonstrate an attitude of “association”
rather than “domination”. The exhibition actually seems to have been a forum for
discussion of colonialism in general with some hundred congresses, also with
other nations participating.
The whole
area around the Bois-de-Vincennes lakes was occupied by buildings, huts, temples… in different architectural
styles.
Almost all of that is now gone, but there is especially one building
left, the Colonial Museum, which has taken on other “roles” since, becoming an Overseas
Museum, a Museum for African and Oceanien Arts (now transferred to the Quai-de-Branly Museum, see
post here) and today it’s a Museum of Immigration History. The building is also known with a more neutral name - "The Palais de la Porte Dorée."
The building
as such is worth a visit. Actually I’m not showing anything from the museum as such,
nor from the aquarium (maybe another time), but I’m just concentrating on the
building.
We can see
a photo from when the building was inaugurated. A statue of Athena (by Léon-Ernest Drivier, 1878-1951) is standing on the front stairs. It has since got a new
place, close to the museum.
The "Palais" is of course built in an “art déco” style, typical for the period. The architect was Albert Laprade (1883-1978), known for a number of other quite remarkable buildings. Especially
the “Forum”, the central hall, is worth a visit - see also top picture. I was maybe particularly impressed
by Laprade's design of the natural light (without seeing the sky) from the ceiling.
The walls
are decorated by frescoes by Pierre Ducos de la Haille (1886-1972), assisted by
his students from the “Ecole des Beaux Arts” (see previous posts). Looking on
the details, we must remember that we are almost 80 years ago.
The floors,
both the wooden and the mosaic tile parts, are worth a special look.
There are
two special reception rooms, one in the name of Marshall Lyautey (1854-1934),
who was the General Commissioner of the Exposition, the other one in the name
of Paul Reynaud (1878-1966), who was then the Minister of the Colonies, later
Prime Minister – resigning when the Germans arrived in 1940, imprisoned… Both
rooms have frescoes and have some remarkable furniture in an “art déco” style.
Coming back
to the exterior… The entire facade is covered with bas-reliefs – ships, ocean,
wildlife… and a perhaps somewhat idealized vision of the exploitation of the
colonies - by Alfred Janniot (1889-1969), whose art we can also find e.g. at
the “Palais de Tokyo”, see here.
Maybe a last
little thing, in front of the building there is a basin full of colourful fish.
3 comments:
Bonjour cher Peter,
Une très jolie découverte !
J'admire de très belles oeuvres...
Merci pour ce joli billet.
Gros bisous 🌸
Bravo Peter!
Per usual: great photos - and awesome research. Looking forward to your reviews of the museum and the aquarium!
Should any of your subscribers have the chance to visit Rockefeller Center in NYC, this is another example of his work:
https://www.rockefellercenter.com/art-and-history/art/gallic-freedom/
MG
Thank you for sharing such a amazing article..
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