14.3.16
10.3.16
Maisons closes - brothels
From the
latter part of the 19th century until 1946 – when they were outlawed,
(also) Paris had a reputation for its “maisons closes”, brothels.
Among the
most famous was “Le Chabanais” (12, rue Chabanais), created in 1878 and thus lasting,
as all the others, until 1946. A lot of luxury, some 30 ladies… Kings, princes,
actors, authors … went there for their pleasure, but it was obviously also a
place where people just socially met, including some women, e.g. Marlene
Dietrich. In those days the French government even often included a visit to “Le
Chabanais” as part of the program during state visits. The building is still there, but nothing
reminds us about its past. All equipment and furniture were sold at an auction in
1951.
The most
famous customer was obviously “Bertie”, the future Edward VII, who had his own
room, his own bath-tub (to be filled with champagne) and a very special kind of
chair. (I would need a handbook.) Salvador Dali later became the owner of the
bath-tub and placed it in his room at the Hotel Meurice.
The reputation for top brothel was a bit later taken over by the “One-two-two” (122, rue de Provence),
which opened in the 1920’s. Once again, the list of kings and princes is
impressive, but there are a lot of other names like Charlie Chaplin, Humphrey
Bogart… and again a number of women like Marlene Dietrich (again), Mae West,
Katherine Hepburn, Edith Piaf … Once again we can see that these brothels also
were where you could, should, “be seen”. A movie called “One-two-two” came out in 1978.
“Le Sphinx”
(31, boulevard Edouard-Quintet) was created quite late, in 1931, in a rather
Egyptian style. It was also highly fashionable with some 65 ladies. The building
is gone.
“La Fleur
Blanche” (6, rue des Moulins) is especially known for having had
Toulouse-Lautrec as a very frequent guest (a permanent room booked). He made a number of paintings from the place (see top picture). On one of the paintings we can see
two ladies preparing for the regular medical inspection. (A lot not so nice
could be said about these inspections.)
“Aux Belles Poules” (32, rue Blondel) is one of the few brothels which has kept its outside
and partly also inside looks. I managed to get in, but not as far as I wanted.
One of my blogger friends, JPD, managed to get some inside pictures, which I partly
have copied. You can see his post here. What was specific for some of these
establishments is how the street number is designed. This was a very neutral
way to “show the way” – possibly even made compulsory by the authorities?
You find a similar type of house number also at “Chez Miss Beety” (36, rue Saint-Suplice). Its location just opposite a side door of the Saint-Sulpice Church made it very
popular among the priests or members of the church.
There were
tens of these more “official” ones, not mentioning the less “official”. Here
are a few more, where the buildings still stand.
When it
comes to the “stolen” illustrations, I found sometimes the same ones illustrating the
interior of different brothels. I hope that most of the ones I show are for the “right
place”.
As
mentioned above, all these establishments were closed in 1946, actually totally
some 1.400 in France whereof some 180 in Paris. The law carries the name of
Marthe Richard (1889-1982), an ex-prostitute and spy, who later became a
politician. One reason why the law passed rather easily may have been that some of the most prestigious brothels had been more or less confiscated by the Nazi occupants.
Labels:
Maisons closes
7.3.16
3.3.16
Other places where artists lived and worked.
After a meal
(or a drink) at the “Closérie des Lilas”, one of the famous bars / restaurants
along Boulevard de Montparnasse, I suggest that you turn around the corner,
passing the statue of Marshal Ney (by François Rude), and take a walk along Rue
Notre-Dames-des-Champs., (Ney was one of Napoleon’s marshals who was executed
somewhere here in 1815, condemned by the Bourbon monarchy institutions after
the Waterloo defeat. There were rumours that he survived and escaped to the
United States…)
The Rue
Notre-Dame-des-Champs is not very spectacular, but is interesting thanks to all
artists, authors… who have lived here especially since the latter part of the
19th century.
The list of
names could be very long. I will give only a few examples.
Camille
Claudel (1864-1943) lived as a young girl with her family at no. 111 and worked in a
studio at no. 117 during the years 1882-88. 1882 was the year when Auguste Rodin became her teacher.
At no. 86,
Fernand Léger (1881-1955) lived and had his studio for almost 40 years
(1916-55). He was preceded by James
Abbott McNeill Whistler (1834-1903) who worked here in a studio during the years 1891-1902.
(For my Swedish friends I can also mention that this is where Isaac Grünewald
and Sigrid Hjertén lived during their Paris years.)
Behind the
gate of nos. 73-75 lived and worked William Bouguereau (1825-1905) and John
Singer Sargent (1856-1925) had a studio here when he lived in Paris.
Some artists
have also lived at no. 70, but maybe I should give a special mention for the poet Ezra Pound
(1885-1972) who spent the years 1921-24 here, became friends with many,
including Ernest Hemingway (1889-1961), who moved around a lot, but for a while
was a neighbour at no. 115 (building gone).
The street
is long and this time I neglected the lower part, where many of the buildings,
e.g. occupied by Victor Hugo, Auguste Renoir… have disappeared. However, before
leaving Rue Notre-Dame-des Champs, maybe a special mention for no. 109 where
you find one of the most distinguished schools in Paris, “Ecole Alsacienne”, founded
in 1874. The list of famous people who received their education here is long.
Once here,
it’s worth taking a look at a crossing street, Rue de la Grande-Chaumière, much
shorter, but with a lot of history.
Here, at
no. 8 is where Amedeo Modigliani (1884-1920) spent his last years and days,
together with Jeanne Hébuterne (1898-1920), who committed suicide two days
after Amedeo’s death.
They had
met at the “Académie Colarossi”, at no. 10, where there now is a restaurant. Here
you can see others who spent some time here – once again we find Camille
Claudel. (I don’t know if it was here that she met Rodin.)
Since
1905 there has been another art school, at no. 14 – “Académie de la Grande Chaumière”, still
in operation. We can see a number of well-known names, teachers as well as students.
Paul Gauguin
(1848-1903), lived for a while in the same building where later Modigliani and
Hébuterne lived. He was a friend of Alphonse Mucha (1860-1939), who lived and
worked at no. 13, in a small flat above the little restaurant “Crémerie” (now
gone), obviously partly decorated by him (and - again for my Nordic friends –
where August Strindberg, here portrayed by Edvard Munch, was a regular guest.) Here we can see both Mucha and Gauguin photographed
in Mucha’s flat. Both Gauguin and Mucha went to the “Académie Colarossi”.
Some other
buildings on Rue de la Grande-Chaumière include a famous “Sennelier” art-supply
shop. (They opened here only in 1930.) I found no information on the impressive
building at no. 6.
On the
opposite side of the street, you can find a four-star hotel, “Hôtel des
Académies”. It seems that almost all the rooms have Jérôme Mesnager’s (see
previous post) “white men” on the walls.
29.2.16
Art galleries
There are
art galleries a bit everywhere in Paris, but some of the more exclusive ones
can be found in the area around Avenue Matignon and the nearby streets, in the
8th arrondissement.
Here are
some pictures from a recent walk, mostly taken through the show windows, some from
inside a few galleries. There are of course a lot of famous names among
painters, sculptors… which you no doubt recognize. Other galleries offer other
types of art, like furniture, glassware… (I was surprised to see the number of
Bernard Buffet paintings offered by many galleries – any special reason?) The
only painting where I dared to ask for a price, was a small, modest watercolour
by Emile Bernard, Vincent van Gogh’s best friend during his Paris years -
28.000 €. Finally I went home without any purchasing, which anyhow, I must admit,
were not planned.
I have a
hope that the art market will give a chance to real art lovers and to living
artists. Today, in my mind, there is a lot of pure speculative business, where
some of the most sought after artists often end up hidden in a safety vault in
Switzerland, Abu Dhabi, Hong Kong... , not even visible to public. Other less
known artists struggle to survive.
Labels:
Paris 8
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