The ballet
“Parade” had its première at the Châtelet Theatre, May 18, 1917. It was a
creation by Serge Diaghilev’s “Ballets Russes”, with music by Eric Satie,
libretto by Jean Cocteau, choreography by Léonide Massime (first dancer and
lover of Diaghilev) and costumes and set by Pablo Picasso. Guillaume
Apollinaire wrote the program note and described it all as "sur-realistic" - this
was the beginning of the expression "surrealism". The fact that we were in
the middle of WWI possibly further contributed to a more or less expected atmosphere of scandal. There were a lot of negative (but also some positive)
criticisms. (You can read more in detail about it all here.)
To celebrate
the 100th anniversary, the Châtelet Theatre has for a couple of days
exhibited the curtain or the panel Picasso prepared for the event, illustrating the
group of performers. The style of this panel, the largest artwork ever made by
Picasso, is actually quite different from the cubist costumes he also designed.
(I have added some portraits of the personalities involved, most of them made
by Picasso.)
Unfortunately,
I am publishing about this one day too late as the exhibition of the panel lasted only a
few days and ended May 15.
Here is
also a little video.
Maybe a few
words about the theatre? It dates from 1862 with Gabriel Davioud as architect.
Davioud is also known for e.g. the neighbouring theatre, Théâtre de la Ville, for
the St. Michel fountain (see previous post) and for his participation in the
creation of many Paris parks, including “my” park, Square des Batignolles. The
theatre has to a large extent been used for music performances and composers or
conductors like Tchaikovsky, Stravinsky, Gustave Mahler, Richard Strauss… all have
appeared here. Today it’s also annually used for the French “Oscar”, César,
ceremony. (During the exhibition, you could watch a little movie about the “Parade”
in the theatre lobby.)
5 comments:
What a delight to be able to see that curtain.
What a gorgeous theatre, Peter. My friend Jerry first came to Paris to perform in that theatre in Hello Dolly in 1993. It is magnificent. How fortunate to be able to see the curtain and the video is fascinating.
I just finished a book about Paris (and more) during WWI called "Paris at the End of the World." A good deal was written about this production which sounded quite controversial. To see the costumes, the curtain and all -- really brings it into focus! Thanks!
Wonderful post. Loved the video. Thank you.
Thanks for telling us that this backdrop is Picasso's largest painting. Looks like it is in great shape, to judge by your photos. It is so absolutely beautiful! And so is the theater.
Thank you so much, M. Peter.
Maria
Marvelous! Art, in whatever form, is truly enchanting
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